Sabado, Marso 29, 2025

"The Final Set: An Eraserheads Elegy"



(A Poem By Gilbert Labo Obal)


J...

I...

H...

G...

F...

....Ǝ!


A breath held, a moment poised,

Greatness about to be voiced.

Histor-Ǝ etched in light,

For the faithful, a sacred rite.


The final chord, the last refrain,

An overdrive through sun and rain.

From Kalayaan halls, echoing dreams,

To MOA's stage, bursting at the seams.


From the Sunken Garden, green and deep,

To the rock altar where legends sleep.

The stage awakens, a vibrant gleam,

Bathed in laser, electric stream.


Behold, four Heads in the luminous haze,

Their imprint on a memory we can't erase


A guitar's cry, a familiar start,

A steady pulse that grips the heart.

The drum's deep thrum, a grounding beat,

The bass line weaving, bittersweet.


These threads entwined, a sonic embrace,

Becoming one with the voice that fills the space.

Becoming one with a hundred thousand cries,

A chorus soaring to moonless skies.


Each verse is a story, etched in time,

Each chorus is a shared, anthemic climb.

Every coda, a lingering sigh,

Each fade, a whisper, as moments fly.

Every fade... a yearning deep,

As if stars from heaven began to weep,


Falling like styro snow, fragile and white.

Lightyears away, yet burning so bright.

Then eyes closed tight, a fleeting pause,

A collective breath, beyond all cause.


Images flicker in nostalgic gloom,

A vintage car going to the moon.

A green-haired muse in youthful spark,

Bathroom hoops in the fading dark.


Fruitfairies dancing, amens whispered low,

Wishing wells gleaming, masks in a row.

A dishwasher's tale, a poignant end,

Where the ordinary and magic transcend.


Within the music, a sanctuary found,

Where common ground became profound.

Each song is unfurled, a spirit unbound,

A vibrant life on hallowed sound.


THE ƎRASERHEADS, a gift freely given,

Minds liberated, souls shriven.

And in that unified, electric air,

No single heart felt lonely there.


Ely, fingers dancing,  sticker-happy piano ablaze,

Marcus, guitar wailing through a sonic maze.

Buddy, harmonies weaving, a steady hand,

Raimund, thunderous rhythms across the land.


The final "TANG-INA!" unleashed,

The final strains of "EL BIMBO" appeased.

Three more songs offered, a grateful art,

Seemed a fitting farewell, etched in every heart.


Then bursts of fire, a dazzling display,

Painting the darkness in a vibrant way.



Gilbert Labo Obal

2009


Huwebes, Marso 27, 2025

Eraserheads (1989-Forever)

  


> The Eraserheads: 

The Architects of Modern Filipino Rock. Revered by many as "The Beatles of the Philippines" and arguably the greatest Filipino band of all time, The Eraserheads stand as a cornerstone of Filipino alternative rock. Their formation in 1989 at the University of the Philippines, Quezon City, brought together the distinct talents of singer Ely Buendia, bassist Buddy Zabala, guitarist Marcus Adoro, and drummer Raimund Marasigan. Their discography is rich, encompassing seven studio albums, two live albums, five compilation albums, three extended plays (EPs), 21 singles, two video albums, and 13 music videos.

>

> The release of their debut album, Ultraelectromagneticpop! (1993), marked a watershed moment, ushering in a vibrant second wave of Filipino rock bands throughout the 1990s. This momentum continued with the commercially and critically acclaimed Circus (1994) and Cutterpillow (1995), the latter achieving legendary status as the third biggest-selling album in OPM history and the most successful for any Filipino band.

> Demonstrating their artistic evolution, The Eraserheads followed their early success with the Christmas-themed concept album Fruitcake (1996) before venturing into the realms of electronic and art rock with Sticker Happy (1997), Natin99 (1999), and Carbon Stereoxide (2001). Their disbandment in 2002 did not diminish their legacy, as each principal member carved out successful solo careers. The anticipation for their return culminated in a series of highly celebrated reunion concerts in the Philippines (2008, 2009, and 2022) and subsequent appearances both domestically and internationally.

> The enduring impact of The Eraserheads has been further solidified with the March 2025 premiere of their critically acclaimed documentary, "Eraserheads: Combo On The Run." Following its release, Ely Buendia's momentous announcement confirmed that the reunion shows were a prelude to their permanent reformation as The Eraserheads. 

Fans can look forward to their first concert as a reunited band. 

The "Eraserheads Electric Fun Music Festival"  is set on May 31, 2025.


 

Martes, Marso 25, 2025

"Eraserheads: Combo On The Run" - A Nostalgic and Revealing Journey into Filipino Rock History



Maria Diane Ventura's "Eraserheads: Combo On The Run" is more than just a documentary about a band; it's a vibrant and deeply personal exploration of a cultural phenomenon. For Filipinos, the Eraserheads are not just a band; they are the soundtrack to a generation, a symbol of the 90s, and a touchstone of national identity. This documentary successfully captures that significance while offering both longtime fans and newcomers a compelling look into their rise, reign, and eventual bittersweet end.

A Treasure Trove of Archival Footage and Intimate Interviews:

One of the film's greatest strengths lies in its extensive use of archival footage. We are treated to a wealth of home videos, early performances in dingy bars, behind-the-scenes glimpses of recording sessions, and electrifying concert clips. This raw and unfiltered access allows viewers to witness the band's organic growth, their infectious energy, and the genuine camaraderie that fueled their early years.

Complementing this visual feast are insightful and often poignant interviews with the band members themselves – Ely Buendia, Raimund Marasigan, Buddy Zabala, and Marcus Adoro. Years after their disbandment, their reflections are candid and revealing. They share anecdotes about their formation, the creative process behind their iconic songs, the overwhelming surge of fame, and the internal pressures that ultimately led to their separation. These interviews provide a crucial layer of context and emotional depth, allowing viewers to understand the individuals behind the legendary music.

More Than Just Music: Capturing a Cultural Moment:

"Combo On The Run" effectively situates the Eraserheads within the broader cultural landscape of the Philippines in the 90s. The documentary touches upon the socio-political climate, the burgeoning youth culture, and the rise of Pinoy rock. It highlights how the Eraserheads' music, with its relatable lyrics often sung in Tagalog and its blend of alternative rock influences, resonated deeply with a generation yearning for their own voice. The film subtly underscores the band's role in shaping and reflecting the Filipino experience of that era.

Ventura's Directorial Approach: A Blend of Nostalgia and Introspection:

Maria Diane Ventura's direction strikes a delicate balance between celebrating the band's legacy and delving into the complexities of their journey. The film doesn't shy away from the tensions and disagreements that arose within the group, offering a nuanced portrayal rather than a purely celebratory one. The pacing is generally well-managed, allowing moments of energetic performance footage to be interspersed with more reflective and intimate interview segments.

Strengths of the Documentary:

 * Rich Archival Material: The sheer volume and quality of the vintage footage are a major draw.

 * Candid Interviews: The band members offer honest and insightful perspectives on their experiences.

 * Cultural Context: The film effectively places the Eraserheads within the socio-political and musical landscape of the Philippines.

 * Emotional Resonance: Whether you were a fan in the 90s or are discovering their music now, the documentary evokes a strong sense of nostalgia and emotional connection.

 * Balanced Narrative: The film acknowledges both the highs and the lows of the band's journey.

Potential Areas for Improvement:

 * Deeper Dive into Musical Analysis: While the film showcases many performances, a more in-depth analysis of the band's musical evolution, songwriting techniques, and the impact of their sound on the local music scene could have added another layer of appreciation.

 * Perspectives Beyond the Band: While the focus is rightly on the Eraserheads, incorporating more perspectives from music critics, industry insiders, or even fans could have provided a broader understanding of their impact.

 * The Aftermath and Legacy: While the documentary touches upon the band's breakup, a more detailed exploration of their individual careers post-Eraserheads and their lasting legacy on contemporary Filipino music could have been further developed.

Overall:

"Eraserheads: Combo On The Run" is a must-watch for any fan of the Eraserheads and a compelling documentary for anyone interested in the history of Filipino rock music. It's a nostalgic trip down memory lane for those who grew up with their music and an insightful introduction for those who are new to their iconic sound. Maria Diane Ventura has crafted a heartfelt and revealing portrait of a band that undeniably left an indelible mark on Filipino culture. The film successfully captures the magic, the mayhem, and the enduring legacy of the Eraserheads, reminding us why they continue to hold a special place in the hearts of millions. It's a testament to their music and a poignant reflection on the complexities of fame, friendship, and the passage of time.

Miyerkules, Oktubre 16, 2024

The Eraserheads: Philippine Rock's Nirvana

 



    

The Eraserheads, a quartet  hailing from Quezon City, Philippines, emerged in the early 1990s, igniting a revolution in the country's rock music scene. Their impact, much like that of Nirvana in the global rock scene, was profound, reshaping the landscape of Philippine music and leaving an enduring legacy.


The Eraserheads' music, a unique blend of alternative rock, pop, and OPM (Original Pilipino Music), resonated with audiences of all ages. Their songs, characterized by witty lyrics, catchy melodies, and a distinct sound, captured the zeitgeist of the time. Hits like "Ang Huling El Bimbo," "Minsan," and "Magasin" became anthems that defined a generation, much like Nirvana's "Smells Like Teen Spirit" and "Come As You Are."


Beyond their commercial success, The Eraserheads' influence extended to the broader music scene. They paved the way for countless Filipino rock bands and artists, demonstrating that local music could be both commercially viable and artistically significant. Their legacy is evident in the countless bands that have been inspired by their sound and style, from the alternative rock pioneers of the 1990s to the indie rock bands of today.


Moreover, The Eraserheads' impact went beyond music. They became cultural icons, their images and lyrics permeating popular culture. Their concerts were legendary, drawing massive crowds and creating unforgettable memories. Their influence on Philippine fashion, art, and literature is also undeniable.


The Eraserheads' rise to prominence coincided with a period of social and political unrest in the Philippines. Their music provided a voice for a generation seeking change and expression. Their songs often addressed issues such as love, loss, societal problems, and the search for identity. Through their music, they offered a sense of belonging and hope to a disenfranchised youth.


The Eraserheads' legacy extends beyond their music. They became role models for aspiring musicians, demonstrating that it is possible to achieve success in the music industry without compromising one's artistic integrity. Their influence on Philippine culture is immeasurable, and their music continues to be celebrated and enjoyed by fans of all ages.


In conclusion, The Eraserheads' contribution to the Philippine music industry is unparalleled. Their pioneering spirit, innovative sound, and enduring popularity have solidified their status as legends. Their legacy continues to inspire and influence musicians and fans alike, ensuring that their music will be cherished for generations to come.


Long Live The Eraserheads!


-Gilbert Obal 2024
Pasigworld

Miyerkules, Pebrero 27, 2013

Poetography (Mga Litrato at Tula ni Gilbert Obal)



               Baliw
                       
  • Bakit laging tumatawa ang baliw?
    Bakit laging lumuluha ang baliw?
    Bakit laging sumisigaw ang baliw?
    Bakit laging bumubulong ang baliw?

    Kahit walang tugtog, sumasayaw siya.
    Kahit walang kausap, nagsasalita siya.
    Kahit hindi gabi, nagbibilang ng bituin.
    Kahit walang tono, gumagawa ng awitin.

    II
    Bakit tayo nagsasaya tuwing pasko?
    Bakit tayo nalulungkot sa sementeryo?
    Bakit tayo nagagalit sa kalaban?
    Bakit tayo nagmamahal ng kaibigan?

    Kay sarap umindak sa maingay na tugtugan.
    Kay sarap ngumiti kapag nagbibingi-bingihan.
    Kay sarap sumakay sa isang eroplano.
    Kay sarap turuang umawit ang loro.

    III
    Sabi ng isang makatang tuliro,
    Baliw daw ang mundo at lahat ng tao...
    Magaling nga lamang magdala ang ilan
    Kaya't hindi pansin itong kabaliwan.

    Kaya tayo tumatawa at lumuluha.
    Kaya tayo nagsasaya at nalulungkot.
    Kaya tayo sumisigaw at bumubulong.
    kaya tayo nagagalit at nagmamahal.

    Baliw kasi tayo.





    Hiya

    Nahihiya ako sa tuwing
    May isdang lumalangoy...
    Ako na nalulunod
    Sa mabilis na agos
    Ng mga panaghoy.

    Nahihiya ako sa tuwing
    May ibong lumilipad...
    Ako na namumuhunan
    Nang pagod at salapi
    Para lamang makalipad.

    Nahihiya ako sa tuwing
    May langgam na nagsisikap...
    Ako na malaki nga
    Subalit kaydaling igupo
    Nang paghihirap.

    Nahihiya ako sa tuwing
    Hahalik ang paru-paro
    Sa mga bulaklak...
    Ako na walang kasuyo
    Kundi mapait na alak.


    Nahihiya ako sa tuwing
    Sisikat ang araw...
    Ako na ang buhay
    Ay isang mahabang
    Gabing kay panglaw.

    Nahihiya ako sa tuwing
    Babagsak ang ulan...
    Ako na ang luha
    Ipunin man ay hindi
    Bubuhay ng halaman.

    Nahihiya ako sa tuwing
    Magsasayaw ang apoy...
    Ako na sa puso
    Ay walang init
    Na dumadaloy.

    Nahihiya ako sa tuwing
    Maaalalang may Diyos...
    Ako na tao lamang
    Subalit minamahal
    Niya nang lubos.


    Ang Ibinasurang Tula
    Ng Basurerong Baliw.


    "Ako ay may kwento na nakakaaliw
    Tulad ng basura na nakakabaliw
    Gaya ng chicharon na namumulaklak
    Sa t'yan ng lasenggong laklak pa ng laklak...

    Ng alak na galing sa puno ng buhay
    Sa tabi ng kubo na maraming gulay
    Na galing sa lupang nilusob ng peste
    Doon sa taniman ng pamilyang leche...

    Na walang ginawa kung hindi magbilang
    Ng bunga ng santol doon sa may linang
    Na kung hatinggabi'y laganap ang aswang
    Na tanging kalaban ay kwintas na bawang...

    Ni Padre Toribiong may alagang kuba
    Likod ay matigas, balbas ay mahaba
    Singhaba ng buhok ni Arnulfong bakla
    Na lagi sa parlor na may nagsasakla..

    Na lolang madupang at adik na hiyang
    Sa damong malagkit at nakakagiyang
    Na para bang lagnat at saka trangkaso
    Na kanyang nakuha sa nilamong aso...

    Na dating alaga ng maubang lolo
    Na pinsan ng lola ng kapitbahay ko
    Doon sa probinsyang aking namulatan
    Kung saan ang hangin ay laging amihan...

    Na dapat ingatang katulad ng pilak
    Na wari'y sing kintab ng hinasang itak
    Na aking kinalkal hanggang matagpuan
    Sa kumpol ng dumi nitong basurahan."

    pagaspas

    pagkakita sa lipad ng ada
    nahulog at gumulong sa putikan
    kumunoy, lumangoy-langoy
    at sumipol
    ng pagkatamis-tamis
    ngumiti siya
    iniabot ang kamay
    at nag-slide sa bahaghari
    na ipinangako ni manong
    sa mga hudyo
    noong humupa ang baha

    tuloy tayo,
    isinama sa himpapawid
    at yumakap sa ulap
    humalik sa hamog
    at nakipag-bonding sa ulan
    walang muwang
    sa mga kamatayan
    at mga pagsilang
    na sabay-sabay sumasayaw
    sa lupa
    ayaw nang bumaha
    kapit-kamay sa pangarap
    na pagaspas patungong
    langit.





BEATLES & ERASERHEADS: A Thirty-Year Parallel in Music History

  • By Gilbert Obal



 


Two iconic bands, separated by time and geography, yet connected by a fascinating web of parallels: The Beatles, universally hailed as Earth's greatest band, and the Eraserheads, the Philippines' most beloved musical act. Their journeys, though distinct, echo each other in remarkable ways across three decades.

The Visionaries:

 * John Lennon (Oct. 9, 1940) - The Enigmatic Genius of The Beatles: Credited as a founder and the creative soul of the band, Lennon possessed an iconic and often rebellious persona few rockers have matched. He was a gifted songwriter, dabbled in fiction, shared a love for Elvis Presley, and laid down the rhythm on his guitar.

 * Ely Buendia (Nov. 2, 1970) - The Enigmatic Genius of The Eraserheads: Similarly seen as the driving force and a founding member of the Eraserheads, Buendia exuded a unique charisma and intellectual depth. He too explored fiction writing, likely appreciated Elvis's influence, and anchored the band with his rhythm guitar.

The Charismatic Counterparts:

 * Paul McCartney - The Charismatic Pop Icon: McCartney's musical versatility allowed him to constantly reinvent his sound, venturing across genres. His collaborative spirit and engaging presence in interviews made him a natural frontman. Notably, he was the original bassist for The Beatles.

 * Raimund Marasigan - The Charismatic Pop Icon: Mirroring McCartney's adaptability, Marasigan has consistently explored diverse musical territories and readily collaborated with other artists. His articulate and engaging interviews have also made him a prominent figure. He held the original bassist role for the Eraserheads  before realizing he was a better drummer.

The Quietly Witty Souls:

 * George Harrison - The Spiritual Quiet Beatle: Harrison was known for his understated presence and sharp, often deadpan humor, which subtly enriched Beatles' interviews and interactions. He was the band's lead guitarist and a burgeoning spiritual seeker.

 * Marcus Adoro - The Spiritual Quiet Head: Adoro shared Harrison's penchant for black deadpan humor, often delivering unexpected and witty remarks in interviews, adding a unique flavor to the Eraserheads' dynamic. He was the lead guitarist for the band and later explored Eastern philosophies.

The Approachable Anchors:

 * Ringo Starr - Everybody's Bosom Buddy: Starr projected a friendly, non-rockstar aura, making him the seemingly most accessible member of the Beatles. His collaborative spirit extended to numerous projects with other musicians. He was the steady, human element alongside his "super brothers" and the band's drummer.

 * Buddy Zabala - Everybody's Bosom Buddy: Zabala mirrored Starr's approachable and amiable personality, often seen as the friendly face of the Eraserheads. He too has collaborated with various artists and provided a grounded presence alongside his more controversial bandmates. He was the original drummer for the group before settling for the bass.

Parallel Trajectories:

 * 1963: The Beatles released their debut album, "Please Please Me."
 * 1993: The Eraserheads release their groundbreaking first album, "Ultraelectromagneticpop!"
 * 1964: The Beatles achieved global superstardom.
 * 1994: The Eraserheads conquer the Philippine music scene.
 * The Beatles' legal ties officially dissolved via a telegram.
 *The Eraserheads' core partnership ended through a text message.
 * John Lennon famously described the Beatles' breakup as a "DIVORCE."
 * Ely Buendia characterized the Eraserheads' separation as a "GRADUATION."

Intriguing Album Bookends:

 * It's a striking coincidence that The Beatles' first album and what is widely considered The Eraserheads' last studio album both begin with the word "Please":
   * "Please Please Me" (1963)
   * "Please Transpose" (2003, with Kris Gorra Dancel)

The Shadow of External Influence (Debated):

 * While often debated, some Beatles historians (incorrectly) pointed to Yoko Ono (Lennon's wife) as a contributing factor to the band's dissolution.
 * Similarly, some Eraserheads "historians" (also inaccurately) suggested Diane Ventura (Buendia's then partner) played a role in their breakup.

Post-Breakup Ventures:

 * Following the Beatles' split, Lennon formed the Plastic Ono Band.
 * Buendia's subsequent prominent band is Pupil (both names starting with "P").
 * Paul McCartney formed Wings, featuring his wife on keyboards.
 * Raimund Marasigan co-founded Sandwich, with his then partner playing bass.
 * George Harrison embraced Eastern religion (Hinduism) and formed the band Traveling Wilburys.
 * Marcus Adoro explored Eastern religion (Buddhism) and has a band called Markus Highway (note the thematic connection: traveling...highway).
 * Ringo Starr continues to be very approachable and inspirational for the new generation of Beatles Fans.
 * Buddy Zabala continues to be very approachable and inspirational for the new generation of Eheads Fans.

Shared Creative DNA:

 * All members of both The Beatles and The Eraserheads were accomplished composers and lead singers, each contributing songs to their respective catalogs.
 * Later in their careers, both bands often adopted a practice where the songwriter would also take on lead vocal duties for that particular track.

Early Rejections and Triumphant Club Residencies:

 * The Beatles faced initial rejection from Liverpool clubs before finding their footing and conquering the seminal Cavern Club.
 * The Eraserheads also experienced early setbacks, being turned away from venues like "Mayric's," before ultimately dominating the influential Quezon City club, Club Dredd (both key clubs starting with "C").

Dismissed by Industry Giants:

 * The Beatles were famously rejected by Decca Records, who, at the time, were seeking vocal groups and infamously declared, "Guitar bands are on their way out."
 * The Eraserheads also faced rejection from the major label RJ Records, who were reportedly looking for an artist in the mold of Andrew E. Raimund Marasigan humorously recalled the event, quipping, "We are not handsome enough and didn't even combed."

Rumors and Realities:

 * The Beatles nation. were subject to the elaborate "Paul is Dead" hoax and the subsequent idiotic urban legends.
 * The Eraserheads nation faced a distressing rumor of "Ely is Dead." and the idiotic "Pepsiliarium" urban legend.

A Documented Reformation:

* !n 1994, Paul, George, and Ringo reunited to record their documentary, "The Beatles Anthology." Released in 1995, it featured the carrier single "Free As A Bird," which poignantly reunited John Lennon's voice with his three lads from Liverpool. The Beatles were back, and their loyal fans celebrated enthusiastically.

* Similarly, in 2024, The Eraserheads embarked on a world tour, fueling their fans' desire for a permanent reunion. Following the successful premiere of their documentary in 2025, Ely Buendia announced that The Eraserheads were no longer disbanded and would remain reformed until they chose to break up again. The Eraserheads were back, and their loyal fans celebrated enthusiastically.


HAIL TO THE BEATLES!
HAIL TO THE ERASERHEADS!
LET'S COME TOGETHER WITH A SMILE!

 
BEATHEADS FOREVER




Lunes, Pebrero 20, 2012

Gilbert Obal Photography

the city of gold

guitar maker

me

kangkong king

window beauty

the wife

bestfriends

me again

shy via

waiting for the hubby

sinag

amazing ceejay

napindan night

kalabaw
sunsetting

sunrise